Last weekend Clare Byrne and Paul Besaw of the dance faculty of the University of Vermont partnered with Michael Hopkins and the Burlington Chamber Orchestra to premiere two new works, "Now Winter Nights Enlarge" and "Appalachian Spring." It was a sold-out house on both nights for the unusual collaboration of live chamber music and modern dance, with Paul's piece featuring dancers weaving in and among the flutes and cellos! Clare's choreography, meanwhile, set Aaron Copland's music to new movements for the first time since Martha Graham commissioned his score for her original "Appalachian Spring." With nods to Graham and Hart Crane, author of "The Bridge" from which Graham took her title, Clare definitely made it her own, with curious motions, gentle repetitions, and a surprise: at one point three dancers left the stage, and--through the big windows above--the audience could see them frolicking through trees and snow, red banderoles trailing...!!! It was magical, like glimpsing fawns (fauns?!) bounding through a winter forest. You can read more about the performance here, check out the poems here & here, and see more pix here.--JEB